Gender: Female
Annabeth Rosen is an American sculptor best known for abstract ceramic works, as well as drawings. She is considered part of a second generation of Bay Area ceramic artists after the California Clay Movement, who have challenged ceramic traditions involving expression, form and function and helped spur the medium's acceptance in mainstream contemporary sculpture. Rosen's sculptures range from monumental to tabletop-sized, and emerge out of an accumulative bricolage process combining dozens or hundreds of fabricated parts and clay fragments and discards. Reviewers characterize her art as deliberately raw, both muscular and unapologetic feminine, and highly abstract yet widely referential in its suggestions of humanoid, botanical, aquatic, artificial, even science-fictional qualities. Critic Kay Whitney wrote that her work is "visceral in its impact, violent even, but also sensual and evocative" and "floats between the poles of the comic and the mordant."
Source: Wikipedia | Last updated on May 4, 2024
On the name Annabeth Rosen, Annabeth means God is Gracious, God has Shown Favour, God is My Oath, Variant of Anne.
The name Annabeth Rosen is often used as a Female name and is mostly used as a First Name.
Annabeth is commonly found in United States of America, Netherlands, Italy, and 33 more countries.
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At NamesLook, the name Annabeth is recorded 202 times globally, ranking it as the 113,488th most common name worldwide.
Annabeth is most prevalent in United States of America, with 75 occurrences, making it the 20,979th most popular name in the country.
In United States of America, the name Annabeth is found among 1 in every 24121 people, showcasing its highest frequency there.
This chart displays the ranking of the name Annabeth from 1980 to 2023, based on the most recent data from the U.S. Social Security Administration.
Annabeth Rosen is an American sculptor best known for abstract ceramic works, as well as drawings. She is considered part of a second generation of Bay Area ceramic artists after the California Clay Movement, who have challenged ceramic traditions involving expression, form and function and helped spur the medium's acceptance in mainstream contemporary sculpture. Rosen's sculptures range from monumental to tabletop-sized, and emerge out of an accumulative bricolage process combining dozens or hundreds of fabricated parts and clay fragments and discards. Reviewers characterize her art as deliberately raw, both muscular and unapologetic feminine, and highly abstract yet widely referential in its suggestions of humanoid, botanical, aquatic, artificial, even science-fictional qualities. Critic Kay Whitney wrote that her work is "visceral in its impact, violent even, but also sensual and evocative" and "floats between the poles of the comic and the mordant."
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