Gender: Female
Beatrice Mandelman, known as Bea, was an American abstract artist associated with the group known as the Taos Moderns. She was born in Newark, New Jersey to Anna Lisker Mandelman and Louis Mandelman, Jewish immigrants who imbued their children with their social justice values and love of the arts. After studying art in New York City and being employed by the Works Progress Administration Federal Arts Project (WPA-FAP), Mandelman arrived in Taos, New Mexico, with her artist husband Louis Leon Ribak in 1944 at the age of 32. Mandelman's oeuvre consisted mainly of paintings, prints, and collages. Much of her work was highly abstract, including her representational pieces such as cityscapes, landscapes, and still lifes. Through the 1940s, her paintings feature richly textured surfaces and a subtly modulated, often subdued color palette. New Mexico landscape and culture had a profound influence on Mandelman's style, influencing it towards a brighter palette, more geometric forms, flatter surfaces, and more crisply defined forms. One critic wrote that the "twin poles" of her work were Cubism and Expressionism. Her work is included in many major public collections, including large holdings at the University of New Mexico Art Museum and Harwood Museum of Art.
Source: Wikipedia | Last updated on April 28, 2024
On the name Beatrice Mandelman, Beatrice means Blessed, Bringer of Joy, Voyager through Life, She who Blesses.
The name Beatrice Mandelman is often used as a Female name and is mostly used as a First Name.
Beatrice is commonly found in Italy, France, United States of America, and 86 more countries.
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At NamesLook, the name Beatrice is recorded 75,189 times globally, ranking it as the 828th most common name worldwide.
Beatrice is most prevalent in Italy, with 40,770 occurrences, making it the 165th most popular name in the country.
In Italy, the name Beatrice is found among 1 in every 29 people, showcasing its highest frequency there.
| Country | Rank | Frequency |
|---|---|---|
| Italy | #165 | 1 : 29 |
| France | #279 | 1 : 103 |
| United States of America | #1,132 | 1 : 480 |
| Nigeria | #482 | 1 : 405 |
| Ghana | #71 | 1 : 96 |
| South Africa | #1,211 | 1 : 1,335 |
| Switzerland | #127 | 1 : 106 |
| Cameroon | #133 | 1 : 250 |
| Germany | #609 | 1 : 272 |
| Belgium | #605 | 1 : 295 |
This chart displays the ranking of the name Beatrice from 1980 to 2023, based on the most recent data from the U.S. Social Security Administration.
Beatrice Mandelman, known as Bea, was an American abstract artist associated with the group known as the Taos Moderns. She was born in Newark, New Jersey to Anna Lisker Mandelman and Louis Mandelman, Jewish immigrants who imbued their children with their social justice values and love of the arts. After studying art in New York City and being employed by the Works Progress Administration Federal Arts Project (WPA-FAP), Mandelman arrived in Taos, New Mexico, with her artist husband Louis Leon Ribak in 1944 at the age of 32. Mandelman's oeuvre consisted mainly of paintings, prints, and collages. Much of her work was highly abstract, including her representational pieces such as cityscapes, landscapes, and still lifes. Through the 1940s, her paintings feature richly textured surfaces and a subtly modulated, often subdued color palette. New Mexico landscape and culture had a profound influence on Mandelman's style, influencing it towards a brighter palette, more geometric forms, flatter surfaces, and more crisply defined forms. One critic wrote that the "twin poles" of her work were Cubism and Expressionism. Her work is included in many major public collections, including large holdings at the University of New Mexico Art Museum and Harwood Museum of Art.
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