Gender: Male
Lemuel A. Davis, was an American jazz alto saxophonist associated with swing music. Born in Tampa, Florida, United States, his career began in the 1940s with pianist Nat Jaffe. Davis played with the Coleman Hawkins septet in 1943 and with Eddie Heywood's group. Throughout the 1940s, he played in a variety of jazz groups. In 1953, he appeared on Buck Clayton's "The Hucklebuck" recording. He continued to play in New York City throughout the 1950s, but recorded little thereafter.
Source: Wikipedia | Last updated on April 23, 2024
On the name Lem Davis, Lem means Devoted to God. Davis means Son of David, David's Son, Dear One, Beloved.
The name Lem Davis is often used as a Male name and is mostly used as a Last Name.
Lem is commonly found in Malaysia, United States of America, Saudi Arabia, and 61 more countries.
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At NamesLook, the name Lem is recorded 1,171 times globally, ranking it as the 30,497th most common name worldwide.
Lem is most prevalent in Malaysia, with 157 occurrences, making it the 6,990th most popular name in the country.
In Philippines, the name Lem is found among 1 in every 4761 people, showcasing its highest frequency there.
Country | Rank | Frequency |
---|---|---|
Malaysia | #6,990 | 1 : 12,679 |
United States of America | #13,167 | 1 : 12,831 |
Saudi Arabia | #19,739 | 1 : 27,810 |
Cameroon | #2,587 | 1 : 5,771 |
France | #14,341 | 1 : 21,032 |
Algeria | #13,268 | 1 : 23,341 |
Philippines | #2,042 | 1 : 4,761 |
Singapore | #5,844 | 1 : 11,530 |
Italy | #20,194 | 1 : 28,156 |
Morocco | #17,556 | 1 : 27,711 |
This chart displays the ranking of the name Lem from 1980 to 2023, based on the most recent data from the U.S. Social Security Administration.
Lemuel A. Davis, was an American jazz alto saxophonist associated with swing music. Born in Tampa, Florida, United States, his career began in the 1940s with pianist Nat Jaffe. Davis played with the Coleman Hawkins septet in 1943 and with Eddie Heywood's group. Throughout the 1940s, he played in a variety of jazz groups. In 1953, he appeared on Buck Clayton's "The Hucklebuck" recording. He continued to play in New York City throughout the 1950s, but recorded little thereafter.
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