Gender: Female
Lili Chookasian was an American contralto of Armenian ethnicity, who appeared with many of the world's major symphony orchestras and opera houses. She began her career in the 1940s as a concert singer but did not draw wider acclaim until she began singing opera in her late thirties. She arose as one of the world's leading contraltos during the 1960s and 1970s, and notably had a long and celebrated career at the Metropolitan Opera in New York City from 1962 through 1986. She was admired for her sonorous, focused tone as well as her excellent musicianship. She often chose, against tradition, to sing oratorios from memory.
Source: Wikipedia | Last updated on May 3, 2024
On the name Lili Chookasian, Lili means German Diminutive of Elizabeth, The Flower Lily is a Symbol of Innocence, Purity and Beauty, A Flower, Purity, Beauty, Variant of Lillian Derived from the Flower Name Lily, Lily.
The name Lili Chookasian is often used as a Female name and is mostly used as a First Name.
Lili is commonly found in France, Mexico, Colombia, and 95 more countries.
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At NamesLook, the name Lili is recorded 70,322 times globally, ranking it as the 894th most common name worldwide.
Lili is most prevalent in France, with 13,134 occurrences, making it the 273th most popular name in the country.
In Hungary, the name Lili is found among 1 in every 83 people, showcasing its highest frequency there.
| Country | Rank | Frequency |
|---|---|---|
| France | #273 | 1 : 99 |
| Mexico | #282 | 1 : 118 |
| Colombia | #389 | 1 : 198 |
| Algeria | #249 | 1 : 230 |
| United States of America | #973 | 1 : 389 |
| Italy | #828 | 1 : 342 |
| Peru | #419 | 1 : 327 |
| Spain | #746 | 1 : 383 |
| Argentina | #297 | 1 : 153 |
| Tunisia | #615 | 1 : 408 |
This chart displays the ranking of the name Lili from 1980 to 2023, based on the most recent data from the U.S. Social Security Administration.
Lili Chookasian was an American contralto of Armenian ethnicity, who appeared with many of the world's major symphony orchestras and opera houses. She began her career in the 1940s as a concert singer but did not draw wider acclaim until she began singing opera in her late thirties. She arose as one of the world's leading contraltos during the 1960s and 1970s, and notably had a long and celebrated career at the Metropolitan Opera in New York City from 1962 through 1986. She was admired for her sonorous, focused tone as well as her excellent musicianship. She often chose, against tradition, to sing oratorios from memory.
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