Gender: Female
Nancy Davidson is an American artist best known for large-scale inflatable sculptures regarded as hyper-feminized abstractions of the human female form. Bulbous and flesh-like, the sculptures resemble buttocks and breasts and employ erotic cultural signifiers in their shape and decoration. Davidson's work spans art media but centers around sculpture. It is largely post-minimal in character and described by commentators as providing a feminist counterpoint to the male-dominated, minimalist sculpture of the 1960s, as well as to cultural tropes involving bodies that the works themselves invoke. Of particular note are Davidson's use of humor and a sense of absurdity to seemingly both celebrate and subvert these tropes, inviting their investigation but without the seriousness and moralism that often accompany critical works. Sculpture Magazine critic Robert Raczka wrote that "The confectionary color and oversize scale" of Davidson's sculpture creates a "playfully upbeat mood that allows feminist and gender issues to rise to the surface at irregular intervals, without didacticism." The New Art Examiner's Susan Canning described it as establishing "a context where all can revel in the transgressive and liberating power of the grotesque."
Source: Wikipedia | Last updated on April 24, 2024
On the name Nancy Davidson, Nancy means God's Flavour, A Bird, Full of Grace, Favor, Grace. Davidson means Surname, Variant of David, Beloved, Dear One, David's Son.
The name Nancy Davidson is often used as a Female name and is mostly used as a First Name.
Nancy is commonly found in United States of America, Colombia, Mexico, and 94 more countries.
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At NamesLook, the name Nancy is recorded 231,058 times globally, ranking it as the 181th most common name worldwide.
Nancy is most prevalent in United States of America, with 56,924 occurrences, making it the 57th most popular name in the country.
In United States of America, the name Nancy is found among 1 in every 32 people, showcasing its highest frequency there.
| Country | Rank | Frequency |
|---|---|---|
| United States of America | #57 | 1 : 32 |
| Colombia | #86 | 1 : 41 |
| Mexico | #125 | 1 : 49 |
| Peru | #48 | 1 : 61 |
| Egypt | #441 | 1 : 179 |
| Chile | #106 | 1 : 51 |
| Italy | #469 | 1 : 131 |
| Belgium | #47 | 1 : 47 |
| Bolivia | #89 | 1 : 71 |
| Canada | #71 | 1 : 72 |
This chart displays the ranking of the name Nancy from 1980 to 2023, based on the most recent data from the U.S. Social Security Administration.
Nancy Davidson is an American artist best known for large-scale inflatable sculptures regarded as hyper-feminized abstractions of the human female form. Bulbous and flesh-like, the sculptures resemble buttocks and breasts and employ erotic cultural signifiers in their shape and decoration. Davidson's work spans art media but centers around sculpture. It is largely post-minimal in character and described by commentators as providing a feminist counterpoint to the male-dominated, minimalist sculpture of the 1960s, as well as to cultural tropes involving bodies that the works themselves invoke. Of particular note are Davidson's use of humor and a sense of absurdity to seemingly both celebrate and subvert these tropes, inviting their investigation but without the seriousness and moralism that often accompany critical works. Sculpture Magazine critic Robert Raczka wrote that "The confectionary color and oversize scale" of Davidson's sculpture creates a "playfully upbeat mood that allows feminist and gender issues to rise to the surface at irregular intervals, without didacticism." The New Art Examiner's Susan Canning described it as establishing "a context where all can revel in the transgressive and liberating power of the grotesque."
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