Gender: Male
Parker Esse is an American choreographer. Esse began training at 9-years old at the Houston Ballet. After being cast in Fosse on Broadway in 2000, he proceeded to work on dozens of productions in prestigious regional theatres across the United States. In Washington, D.C. he worked as the assistant choreographer in the musical Mame and Babes in Arms. He also choreographed Smokey Joe's Cafe, The Music Man, Carousel and Fiddler on the Roof. In New York directed and choreographed The Best Little Whorehouse in Texas. He was the associate director and choreographer for Lucky Guy at Goodspeed Theatre.
Source: Wikipedia | Last updated on May 3, 2024
On the name Parker Esse, Parker means Gamekeeper of a Park, Forest Ranger, Keeper of the Forest, Park Keeper.
The name Parker Esse is often used as a Male name and is mostly used as a Last Name.
Parker is commonly found in United States of America, Canada, South Africa, and 68 more countries.
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At NamesLook, the name Parker is recorded 5,352 times globally, ranking it as the 9,566th most common name worldwide.
Parker is most prevalent in United States of America, with 3,853 occurrences, making it the 1,120th most popular name in the country.
In United States of America, the name Parker is found among 1 in every 470 people, showcasing its highest frequency there.
Country | Rank | Frequency |
---|---|---|
United States of America | #1,120 | 1 : 470 |
Canada | #1,664 | 1 : 1,191 |
South Africa | #8,561 | 1 : 16,992 |
Nigeria | #5,668 | 1 : 9,828 |
Cameroon | #1,983 | 1 : 3,954 |
United Kingdom | #7,626 | 1 : 7,510 |
France | #14,166 | 1 : 20,698 |
Mexico | #10,651 | 1 : 16,086 |
Hong Kong | #4,703 | 1 : 8,005 |
Saudi Arabia | #37,593 | 1 : 61,536 |
This chart displays the ranking of the name Parker from 1980 to 2023, based on the most recent data from the U.S. Social Security Administration.
Parker Esse is an American choreographer. Esse began training at 9-years old at the Houston Ballet. After being cast in Fosse on Broadway in 2000, he proceeded to work on dozens of productions in prestigious regional theatres across the United States. In Washington, D.C. he worked as the assistant choreographer in the musical Mame and Babes in Arms. He also choreographed Smokey Joe's Cafe, The Music Man, Carousel and Fiddler on the Roof. In New York directed and choreographed The Best Little Whorehouse in Texas. He was the associate director and choreographer for Lucky Guy at Goodspeed Theatre.
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